
SEVEN STAR PRAYING
MANTIS KUNG FU
A History by Sifu Derek Frearson
Throughout China’s
turbulent history there have been many styles of Martial Arts that owe
their development to the Shaolin Temple in Henan province. The Temple
has acted as a catalyst for the development of the Chinese Martial Arts
for generations.
According to tradition
the founder of the Seven Star Praying Mantis style was Master Wong Long,
an unshaven monk of the Henan Shaolin Temple. Wong Long was a native of
Shandong province; he came from a wealthy family and studied the martial
arts in his youth. Wong Long entered the Shaolin Monastery around
350-400 years ago in the period between the Ming (1368-1644) and the
Ching (1644-1911) Dynasties, it was a time of chaos for China with the
Manchu’s committing many atrocities. The Manchu’s were Mongoloid people
of Manchuria who conquered China in the 17th century establishing an
imperial dynasty that lasted until 1912. At Shaolin, Wong Long would
train with his Kung Fu brothers, but no matter how hard he trained, he
could never reach their standard and was always defeated by them. Wong
would often travel to other areas of China seeking out famous Kung Fu
masters to help improve his skills. When he return to Shaolin he would
again train with his Kung fu brothers, although he had obtained the
techniques of seventeen different Kung Fu styles he could still not
defeat the other monks. While he was away his martial skills had grown
to a higher level, but his Kung Fu brothers were also training hard and
so their skills had kept pace with his.
One day while out
walking, Wong Long witnessed a fight between a Praying Mantis and a
Cicada (a large broad winged insect of the homopterous family). Although
at first glance it would appear that the small Mantis had a distinct
disadvantage against such a large insect, it fought with great courage.
Wong was fascinated by the aggressiveness, speed and strength of the
apparently overmatched Mantis. When the Cicada attacked, the Mantis
would angle its body to the side, and with lightning speed and strength
it would pin the Cicada with its powerful forearms. Wong Long took the
Mantis back to his living quarters for further study, he used a reed to
prod the Mantis and carefully studied its movements, examining how it
reacted to various situations,. Wong would then imitate these actions
and over time the system slowly evolved. Wong Long compiled these
movements into what is known today as the 12 Key Words Verbal Formula,
the 8 Rigid hand Patterns, the 12 Flexible Hand Patterns, the Eight
Vulnerable and 8 lethal points of attack. This led to the development of
the Praying Mantis style of Kung Fu with its characteristic strong and
rapid movements.
When Wong Long was
satisfied he added to the new style the best techniques from the other
seventeen styles which he had previously studied. The more he practised,
the more he realised that although the structure of the style was very
fast, depicting the power and speed of the Mantis, the footwork was
inadequate to deliver these speedy blows. Wong later observed monkeys
playing and fighting, the solution was very clear. If he could blend the
clever footwork of the monkey with the hand movements of the Mantis,
both speed of hands and feet would be assured. After a further period of
training Wong Long tried his newly created style while practising with
his fellow Monks. Much to their surprise he was able to defeat them, so
much so they continued to train and research together to further improve
the skills of this new style. On leaving the Shaolin Monastery Wong
returned to Shandong and helped to establish a Temple at Laoshan.
The Seven Star Praying
Mantis style takes its name from the star constellation the Big
Dipper, the inside meaning being ‘the disciples of this style should
spread all over the world ’. Some historians link this with the Secret
Societies whose aim was to ‘overthrow the Ching and restore the Ming ’.
Others say that the Mantis which Wong Long caught had Seven Stars on its
body. Of course, with the passing of time it's very difficult to verify
these stories, the oral tradition of our school however leans in favour
of the first explanation.
THE MASTERS
The first generation
successor was a Taoist Sing Sil, who was a Chinese herbalist and
surgeon. Little is known about his life, except that he entered the
Laoshan Temple to consult with other herbalists there, on seeing the
monks practising their Praying Mantis Kung Fu he asked to be taught this
art. After many years of diligent practise he finally mastered the
complete system. On leaving he relocated to the Taoist Temple of the
Green Dragon.
Sing Sil became friendly
with a security guard named Lee San Chine (second generation) after
helping him defeat a number of bandits. As their friendship grew and
seeing that Lee San Chine was a sincere man, Abbot Sing Sil taught him
the complete system of Seven Star Praying Mantis. Returning to his
security work, Lee San Chine became famous for his “Lightning Fists ’’.
At the age of 60 he returned home to Shandong Province where he met Wong
Wing San (third generation) who was a national Kung Fu champion. It’s
said that Wong was giving a demonstration of his skills when Lee San
Chine made some offhand remarks about his Kung Fu abilities. This
enraged Wong, so he left no time in challenging the old man. In the
ensuing contest Wong couldn’t dent the old man’s defence, seeing that
his Kung fu was of such a high level, Wong begged to be accepted as a
disciple. Wong came from a wealthy family so he never taught the art
openly, he took the civil service examination and was awarded the title
of “ third degree graduate of martial arts ’’.
In later life Wong
accepted a disciple by the name of Fang Yuk Toung (fourth generation).
Fang was a giant of a man weighing some 280lbs, his skill with the “iron
sand palms ’’ was known over a large area. It’s said he used this
technique to kill two charging bulls and in 1870 he defeated a Russian
strongman in a contest which took place in Siberia.
This made him a national
hero with the nickname “the giant with the broadsword ’’.
Fang Yuk Toung taught
openly and had many students. Notable amongst these was Low Kwan Yu
(fifth generation).
In 1909 Master Hou Yuan
Jia helped to establish the Chin Woo Athletic Association in Shanghai. A
request was sent to Master Fang Yuk Toung to teach there, this was
turned down partly due to the fact that he was now by this time in his
eighties. Instead he sent his student Master Low Kwan Yu, who taught for
ten years within the Chin Woo Association. This was the first time that
the style of Seven Star Praying Mantis was taught openly outside of
Shandong Province. In 1919, Low’s reputation grew even further when he
won the Grand Championship in a fighting competition held in Shanghai.
Master Low Kwan Yu became one of the “Four Super Lords ’’ of the Chin
Woo Association. In 1929 one of Master Low’s students, Ma Shing Kam, won
first place in a national Kung fu tournament in Nanjing. In 1930, at the
request of the Hong Kong Chin Woo Association, Master Low moved south to
further spread the Seven Star Praying Mantis style. The martial arts
fraternity in Hong Kong was buzzing with anticipation at the news of
Master Low’s arrival.
picture Grandmaster Low Kwan
STRONG INTEREST
One young man who eagerly
awaited the opportunity to train with him was Chu Chi Man (sixth
generation). Chu Chi Man had a strong interest in the Chinese Martial
Arts from an early age and was introduced to the Chin Woo Association by
close friends in 1924. Chu Chi Man first began the study of Shaolin Tam
Tui style under Master Cheung Shu Ching, he later followed two other Tam
Tui Masters, Miu Yuk Kei and Chui Lin Wor. Chu Chi Man also studied
under Master Chui Lin Wor’s top student Master Bak Lin Sai. Great effort
and dedication was put in for six years, but not being contented he went
on to further study the Eagle Claw style and Taijiquan within the Chin
Woo Association.
It was through an
introduction from Taiji Master Ng Po Cheng, that Chu Chi Man began to
follow Low Kwan Yu. Under Master Low’s personal instruction and through
laborious practise Chu Chi Man achieved remarkable results. In 1933 Chu
was appointed as Master Low’s assistant instructor and took full
responsibility for the classes in Master Low’s absence. In the same
year, he was also nominated as the Department Head Manager of the
Chinese Martial Arts division of the Chin Woo Association. Chu occupied
this position for six years and during this time Chu Chi Man travelled
with Master Low to Guangzhou, China and other neighbouring countries to
give kung fu demonstrations.
Later, due to an economic
crisis in the colony, the Chin Woo Association was forced to close down.
Not to be discouraged, in 1938 Master Chu and his Kung Fu brothers set
up the Man Keung Athletic Association in Hong Kong. Master Chu was
elected as the first chairman while Grandmaster Low was appointed as the
Chief martial arts instructor. Master Chu gave frequent demonstrations
throughout Hong Kong and the New Territories at theatres and open air
fund raising events for charity. Some time later the Pacific war broke
out, the Man Keung Athletic association was forced to close down.
Grandmaster Low returned to his home town of Fung Loy in Shandong
Province where he died shortly after the war. At the end of the war
things were very difficult in Hong Kong and as the inhabitants struggled
for survival the majority of Grand Master Low’s students went into the
commercial field. Those who remained to teach were few and far between.
Chu Chi Man has been an
outstanding promoter of the Seven Star Praying Mantis Style, he was the
foremost student of Grandmaster Low in Hong Kong, having studied under
him longer than any of Master Low’s other students. In April 1956 Master
Chu, and representatives of other Kung fu styles, formed a visiting
demonstration troupe and went to Taiwan where they performed for Chinese
troops stationed at Peng Hu Islands. They also visited Ping Tung,
Kaohsung, Tainan, Mt Phoenix and the Fisherman Islands. Master Chu never
forgot his gratitude to his Master, and his Master’s lifelong endeavour
to promote the Seven Star Praying Mantis Style. Master Chu has acted as
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the Chief Instructor of
the Low Clansmen Martial Arts Club,
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Chairman of the Chu Chi
Man Physical Training Club,
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member of the
Development Committee of the Hong Kong Martial Arts Association,
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permanent
superintendent of both the Hong Kong and Kowloon Northern Seven Star
Alumni Association and the Lee Kam Wing Martial Arts Gymnasium.
picture Master Chu Chi with straight sword
Lee Kam Wing (seventh
generation) was born in Hong Kong in 1947 and came from a martial arts
family, his father Lee Chau was a practitioner of the Pak Mei style of
Kung Fu. As a young child he would often watch his father practise with
his Kung fu brothers but being a merchant he never taught the art of Pak
Mei and only practised for his own health and self defence benefits. For
the same reasons he would not teach the young Lee Kam Wing. Although he
knew very little about the different styles of Kung Fu, Lee Kam Wing was
fascinated by the Chinese martial arts throughout his childhood and was
always thrilled by the antics of the Monkey King in various operas and
film shows.
His father opened a
dyeing factory and as his eldest son, it was his responsibility to help.
Master Lee recalls that these days were very hard, working long hours in
adverse conditions of damp and heat. The fabric had to be stirred and
removed from the vats with a long pole while being heavily weighed down
with water. The cloth had to be delivered by hand and loading up a large
barrow, he would make deliveries around the Kowloon area. In those days
most of the buildings didn’t have lifts so each roll had to be carried
up stairs often six floors or more.
Because of his interest
in the martial arts his uncle took him to view a Kung Fu class run by
Master Chu Chi Man, the young Lee Kam Wing was goggle-eyed, he could not
believe the speed, power and agility of the students on view and he felt
that this must surely be the Monkey style. It didn’t take him long to
find out that he was really watching the Seven Stars Praying Mantis Kung
Fu. At fifteen years of age he started his studies under Master Chu, he
began to look upon the hard work in his fathers dye house with a more
positive frame of mind. It could be used as a method of training,
building up strong leg and arm muscles. Lee Kam Wing studied with Master
Chu for ten years and learnt the complete system as handed down by Grand
Master Low Kwan Yu.
During this period, a
famous Pak Mei Master arrived in Hong Kong from China, Lee Kam Wing’s
father assisted him in setting up a gymnasium. Of course, Lee Kam Wing
helped his father and had the opportunity to study the Pak Mei style.
Chu Chi Man, hearing of this, was very worried that his student might
change styles. Master Chu spoke to his student about this, Lee Kam Wing
reassured him that this would not be the case.
RESPECT FOR ALL STYLES
Although Master Lee has
the greatest respect for the Pak Mei style and for all other styles of
Kung Fu, he told his Sifu that it was his duty to teach and promote the
Seven Stars Praying Mantis style. In 1972, with the encouragement of
Master Chu, he opened his own Martial Arts Gymnasium. Master Chu
presented him with four hand written books which were given to him by
his teacher Low Kwan Yu. The books were entitled ‘ The Origins of
Shaolin Kung Fu ’, ‘ Basic Structure of Iron Palm Techniques ’, ‘ The
Boxing Theories of The Seven Star Praying Mantis Style ’, and ‘ Methods
of Bone Setting ’.
Master Lee has made an
advanced study of Osteopathy and Acupuncture in Guangzhou and is a
graduate of the Famous Foshan Orthopaedics Hospital in China. In
co-operation with Master Leung Ting he provided information for the book
’ Seven Star Praying Mantis Kung Fu ’ which was published in 1980. Lee
Kam Wing has been a practising Buddhist since 1981 and in 1985 produced
his own book ‘The Secret of Seven Star Mantis Kung Fu ’.
This was the first
detailed book on the Praying Mantis style to be published, featuring
Three Hand Forms, Basics, Kicks, Chi Gung and many theories and
applications. His promise to Sifu Master Chu Chi Man to promote the
style has been kept and he has taught the art to many overseas students
from Japan, America, Germany, England, Italy, South Africa, France,
Hungary and Holland. Seminars have also been held in Germany, England,
Hungary France, America, Italy and Australia.
-
Sifu Lee Kam Wing is a
permanent member of the Hong Kong Chinese Martial arts Association
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Vice president of Hong
Kong Southern and Northern Martial Arts Association (Founder member)
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President of Hong Kong
Shandong Mantis Boxing Association (founder member)
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Director and Vice
President of Hong Kong Chin Woo Athletic Association
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Vice chairman of the
World Organisation of Wushu Kung Fu Masters
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Director and Seven Star
Praying Mantis Coach of the Hong Kong Chin Woo Athletic Association
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Consultant of the
Guangzhou Chin Woo Athletic Association China
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Director of the British
Taijiquan and Shaolin Wushu Association
Sifu Lee Kam Wing is also
an accredited Coach with the Hong Kong Coaching Committee, overseas
consultant for the Singapore San Cheen Do Institute and is the Guardian
of the German Seven Star Mantis Group. Sifu Lee continually strives to
promote understanding of the Chinese Martial Arts and gives many
demonstrations around the Hong Kong area and on television.
picture Master Lee Kam Wing double broadswords
On December 15, 2006
Master Lee celebrated his 60th birthday in Hong Kong.
Sixteen Disciples’ came
to pay homage to their mentor namely Kwok Wing Ho (Hong Kong), Chan Sie
Hung (Hong Kong), Derek Frearson (United Kingdom) Malcolm James Franklin
(United Kingdom), Sergio Marzicchi (Italy) Pierluigi Barbieri (Italy),
Brunke Bast (Germany) Nikolai Schild (Germany), Raul Ortis (United
States), Brian Bateman (United States), Laszlo Kovacs (Hungary), Lam Chi
Ming (Hong Kong), Yu Fu Keung (Hong Kong), Tung Fu (Hong Kong), Wang Kin
Wai (Hong Kong), and Sin Ting Fung (Hong Kong).
The above disciples
represent the first generation intake by Master Lee Kam Wing.
10 Grandmasters witnessed
the ceremony including Master Kong Pu Wai (Hung Fung), Master Poon Sing
(Choy Lay Fut), Master Cheng wan (Chu Ka Tang Lang), Master Lau Bill (
Choy Mok), Master Tung Kin Kwong (Dragon), Master Kwok Pui Kai
(Mongolian Wrestling), Master Cheng Po Lam (Northern Shaolin Tay Tong
Pak Kar), Master Lo Wai Keung (Lama Style), Master Yip Chi Keung (Chow
Ka tang lang), and Master Leung Ting (Wing Tsun).
picture Disciples at Lee Sifus family home Shude China